Classicism gets its values from classical antiquity (ancient Greece and Rome). The
produce civic virtue (good citizenship).
The only values romanticism gets from antiquity are those of Greek tragedians like
The only values romanticism gets from antiquity are those of Greek tragedians like
Euripides and Sophocles with their focus on the disorder that ensues from human frailties.
mythological (e.g. enchanted forests, gargoyles) are influential.
The Values Expressed in Classicism and Romanticism
Note: A work of art does not have to have all of the listed values to be classical or romantic, it just needs some of them.
Realism does not stress any of the above values.
Jean-Francois Millet - The Gleaners (1857)
A list of romantic poets
Locating Beethoven in Art History
The Values Expressed in Classicism and Romanticism
Note: A work of art does not have to have all of the listed values to be classical or romantic, it just needs some of them.
Classical Values | Romantic Values | |
Objective Reason / Rationality (Mind) | Subjective Emotion / Passion (Heart) | |
The Art Exhibits: | ||
Simplicity |
Complexity | |
Stillness, Calmness, Serenity | Motion, Energy, Drama | |
Order, Planning, Design, Balance | Immediacy, Spontaneity, Improvisation | |
Stability, Endurance, Timelessness | Volatility, Flux, Termination | |
Restraint, Control | Turbulence, Chaos | |
The Art Expresses: | ||
Confidence, Optimism | Insecurity, Apprehension, Foreboding | |
Logical, Sensible, Non-fantastical | The Magical, Mystical, Mysterious, Mythological, Hallucinatory | |
Society / Civilization Minded | Individual (& Nature Minded) | |
Most important type of knowledge: | ||
Learned, analyzed knowledge, methodology (e.g. science) |
Immediate, reflexive intuition. Genius. Imagination, "Think outside the box." |
|
Man's relationship to nature: | ||
Nature is to be studied / controlled | Nature is to be enjoyed / worshiped | |
Realism does not stress any of the above values.
Jean-Francois Millet - The Gleaners (1857)
A list of romantic poets
Locating Beethoven in Art History
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